Something to Live For – Richard Roper

Contemporary Fiction
5*s

I often find that the books that I remember the most are not those that come from my ‘favourite’ genres of crime and psychological thrillers, but from other genres. I’m not sure where you shelve uplifting and life-affirming reads but Something to Live For is first and foremost in the category for 2019.

Andrew works for the council where one of his duties is to trace the relatives of those who have died with no known family. Anyone who has worked in an office will recognise some elements of Andrew’s work, especially the absurdity of his manager Cameron. Cameron was both arguably the cause of the misunderstanding around the existence of Andrew’s family and his panic over the exposure of the actual non-existence of the carefully crafted wife and two children. So far so amusing around a man who is so sad he has invented a make-believe family, but intriguingly this is a springboard to a story far broader, and deeper than the one you might be expecting.

One day a new employee arrives, Peggy Green and rolls up her sleeves, literally, to help Andrew search through the debris of some poor deceased man’s home to find links to family. Having warded off some chancer on the doorstep, and searched meticulously it appears that the man will have a ‘pauper’s funeral’ i.e. one only attended by the vicar and Andrew who does so out of the wish that someone witnessed the event. Peggy however is the catalyst for Andrew to look at the realities of his life. Meanwhile Cameron is pushing ahead with his plans to get the team to bond via a Come Dine with Me series of evenings – obviously Andrew with his make-believe life is going to run into problems but let’s face it many of us shudder at the mere thought of being forced to bond with our colleagues, especially in our own time!

This is a book that starts off as being mildly entertaining and then slowly creeps up on you and steals your heart. Partly that’s because it truly does take you through the range of emotions, and perhaps these feel a bit more authentic because they are from a man’s point of view which arguably isn’t as overworked as the female perspective in this type of book. Another plus is Andrew is just an average man; he has no disability physical or mental, his love of model trains is not dressed up as something anything other than it is and I for one found that incredibly refreshing. This could be a classified as a book about loneliness, and it is one of those books that makes you reflect and consider how easily that someone can come adrift from society but it is also about the essential goodness of people, something I think has been delivered in a timely manner when all around us seems to be endless news about the harm people do to each other.

I was extremely grateful to receive an advance copy of Something to Live For from the publishers Orion Publishing Group ahead of publication date of today! This unbiased review is my thanks to them, and the author Richard Roper for an entertaining yet thoughtful story which reflects a part of life that we prefer not to see!

First Published UK: 27 June  2019
Publisher: Orion
No. of Pages: 352
Genre: Contemporary Fiction
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Still Me – Jojo Moyes

Contemporary Fiction
5*s

2019 whilst being a little poor on the actual reading front has been a great year in respect of the audio book having followed on from great success I had with this format especially with non-crime fiction genre.

Still Me is the last part in the trilogy written by the fabulously talented Jojo Moyes which started with Me Before You which I read as back in January 2013 where Lou Clark takes on a job being a nurse/companion to a quadriplegic man. This story was so popular, being later made into a film that Jojo Moyes bought Lou Clark back for more adventures. In After You we see her living a new life, meeting new people and coping with grief and her journey kept me company during my walks home from work and preparing food that I missed Lou Clarke so very much when this book finished and felt that the narrator Anna Acton now encapsulated the story for me so despite having a physical book it seemed obvious to continue in audio format.

In Still Me Lou Clarke has takes up a new job in New York through an old friend. New York is new and exciting and although Lou misses her boyfriend Sam in London, at times he seems very far away. With a whole new cast of characters in New York and this really is how Jojo Moyes captures the hearts of her readers – they are so well drawn, multi-layered and as far removed from clichés and stereotypes that lesser authors employ. There is no doubt in my mind when I was listening that Lou Clarke was a real woman, with problems not so very different to those that I have suffered, and despite being a fair bit younger than I am, it still manages to feel relevant as the cast of characters takes in the whole spectrum of people. We have the fussy old woman with her beloved dog, the unfriendly housekeeper, the spoilt rich wife, the personal trainer, the jock, the vintage clothes shop owner to name but a very few.

So although the characters are the chief pull of course even the most captivating of studies can’t stand up without a plot. Perhaps this novel has more of the general romance pitfalls than the previous two books, chiefly misunderstandings that are left to fester rather than spoken about on both sides, but despite this I was still swept along hoping for a good result for Lou whether that be a good man or no man at all. Pleasingly the latter is always a possibility especially as we also catch up with Lou’s brilliantly portrayed parents and sister as they come to terms with life not following the predictable route they thought it would. In fact Lou’s mother and her father’s reaction to life’s changes provided some of my favourite comedic moments in the book.

I finished Still Me quite some time ago but I won’t forget Lou Clarke in a hurry. It takes a special kind of skill to pen a story that has all the ranges of human emotions without it tipping into the sickly sweet arena and for someone like me who has an antipathy to ‘romantic’ tales that is high praise indeed!

First Published UK: 24 January 2018
Publisher: Penguin Books
No of Pages: 496
Listening Length: 13 hours 37 minutes
Genre: Contemporary Fiction
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The Flower Girls – Alice Clark-Platts

Psychological Thriller
4*s

Over the years I have had an ongoing interest in books that portray children who kill. Not the cheeriest of subjects I grant you but I have read some really insightful fictional books that take a look at this thankfully rare circumstance. The Flower Girls was definitely at the darker edge of the subject and perhaps surprisingly less obviously based upon known cases.

Alice Clark Platts has created two characters Laurel and Rosie, sisters, who brutally killed another child one summer’s day. Rosie was just six years old on the day of the murder, far too young to be formally be punished but Laurel was sent to prison where she remains. Rosie is given a new identity to help her move on while Laurel remains in prison nineteen years on. Rosie, now Hazel is staying at a hotel when a young child goes missing and it is this that brings the past hurtling back to meet the present.

The brilliance of this book isn’t just the premise, nor is it really the plot which while ingenious is used as a vehicle to look at the wider issues surrounding all crime, but particularly that committed by a child. DC Lorna Hillier represents law and order, the hotel guests pretty much stand for the public in all their glory, most particularly those who will uee any excuse for making money and garnering publicity, of which the media are more than willing to exploit. This really is the grubby side of crime and seeing it presented as it is in The Flower Girls really brings home how awful society can be and that while there are degrees of wrong, wounds can be inflicted by seemingly minor acts.

While I enjoyed the book which is divided into parts including the ubiquitous flashback scenes taking in the murder in 1997 and the eventual reunion of the two sisters, it did seem to be trying perhaps too hard in places to stick to the psychological thriller brief complete with surprising twists and turns. I personally felt that this meant that the excellent and sensitive probing of such a complex issue got lost in some less realistic plot devices but this was really a personal and minor quibble in what was a satisfying read.

Overall this book feels very dark indeed. I think this feeling persists due to the shadowy nature of the girls’ early years and the decisions their parents make following the imprisonment of Laurel, overall this book made me feel incredibly sad for all the wasted lives contained within its pages. Understanding the parallels to society only served to underline my sadness. For all that, it was a well thought-out novel that will stay with me for quite some time to come.

First Published UK: 17 January 2019
Publisher: Raven/strong>
No. of Pages: 339
Genre: Psychological Thriller
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The Adventures of Maud West, Lady Detective – Susannah Stapleton #20BooksofSummer

Non-Fiction
5*s

 

I had high hopes for this book after all what self-respecting crime fiction lover with a strong interest in women’s history could resist. This book more than surpassed those high expectations, so much so that despite having other books to review (a whole stack of them) I couldn’t wait to share this one.

Maud West was good at self-promotion. She advertised in the press and submitted to interviews telling of her daring deeds both close to home and in far flung places. She dealt with blackmail, drugs and divorce cases from an office in Albion Place, opposite the British Museum in London.

Susannah Stapeton is interested in Maud West’s daring deeds, although right from the start she takes them with a hefty pinch of salt, for some reason doubting the gun toting spinster really had quite so much excitement when she set up her detective agency back in 1905. But what the author is more interested in is the woman behind the public face. So she goes a searching in the archives:

‘The age was off by a few years, but she undeniably showed the right amount of pluck. Besides, who better to catch villains than a former master criminal?’

This is a book that manages to balance a flavour of the reality of Maud West’s life as a ‘lady detective’ whilst providing the reader with a picture of life from the start of her detective work up to the outbreak of the second world war. While Maud West proclaims on her shadowing for divorce work, the author provides us with some real life examples of cases that were reported at the time emphasising the points of law that were required to secure a break from an unhappy life. We take in Maud’s skill at disguise, we take a trip to drug manufacture and its use in the 1920s, we touch on suffragette movement and the romance frauds more easily committed due to the large imbalance of women to men following the first world war. It’s fair to say we get a taster of so much social history set against an investigation into the private face of the public lady detective.

‘In fiction the woman detective is always young and fascinating; her skill in handling delicate situation and in solving the most puzzling mysteries arouses admiration. She is fearless and knows how to handle an automatic pistol. Prepare to be astonished: greet one in real life!’

I am hard pushed to decide which part I enjoyed more because hearing how Susannah Stapleton tracked down the ‘real’ Maud West was equally fascinating and will be of interest I’m sure to anyone who has dabbled in genealogy because here we have the author making the similar leaps and links, not all successful, that is required to get to the truth. I was honestly just as thrilled watching the author wondering about those other people living cheek to jowl on census night and putting their names to one side, and then seeing why they were there many pages further on. The style might not be to everyone’s taste but for me I found it leant an air of realism to the research is usually hidden from the reader.

One of the great problems with reviewing this non-fiction book that concentrates on a less than well-known subject is that there is little I can say because in a sense this is a detective novel in its own right and I would have been gutted if I’d had even an inkling of some of the information I discovered whilst reading it. I can say that there are some aspects of ‘real-life’ incredibly pleasing such as finding that Hawley Harvey Crippin worked from the same building as Maud West and it was here that Inspector Dew first interviewed him.

This style wouldn’t have worked as well had the author not adopted a light touch in terms of writing style. Whilst not a laugh out loud level of looking on the wry side of life…

‘… however it ended – Maud was plainly better off out of it. George Stafford Howell was a chancer. He admitted to the judge that he dropped the ‘Howell’ from his name when it suited him, and his business enterprises all seemed doomed to failure.’

So in short, if you want a non-fiction book with a difference then don’t miss out on this gem.

I am extremely grateful to the publishers Pan Macmillan for providing me with an advance copy of The Adventures of Maud West, Lady Detective, and of course to Susannah Stapleton for bringing this previously unheard lady detective to my attention. This unbiased review is my thanks to them.

This book encapsulates why I love reading; to be educated and entertained at the same time is a pleasure indeed and so it is fitting that this was the first of my 20 Books for Summer 2019 Challenge!

First Published UK: 13 June 2019
Publisher: Pan Macmillan
No. of Pages: 320
Genre: Non-Fiction
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Dead at First Sight – Peter James

Crime Fiction – Series
4*s

Well here we are already up to number fifteen in the Roy Grace series. I have followed Roy’s story from the very first book and my patience has been rewarded because following the author’s move to Jersey to live, our little island is a location used within this novel.

The initial crime is one of those where the victim is perhaps is afforded less sympathy, that of the internet romance scam. We’ve all read the stories where a woman or man of advancing years is romanced and before they have a chance to meet in person some awful event unfolds where money is required to be sent to ensure that cupid’s arrow can complete its journey. When the money runs out or the victim becomes suspicious, they then suffer the indignity of realising the romance wasn’t real, and they’ve been fleeced.

I have to admit despite the appearance of Jersey (including a very good scene in a restaurant that I visit) I wasn’t quite as hooked with this book as I have been in the past. Perhaps it was that age old problem I have when the perpetrators are known to the reader – I just don’t get the same kind of enjoyment from novels written this way – or maybe it was the other issue I have with criminal gangs – again this kind of offending doesn’t quite capture my interest in the same way as figuring out an individual’s motivation. Those minor personal preferences aside there is no doubting that there is plenty of action within Dead at First Sight, the romance scam only being the opener for far bigger and more exciting crimes to come!

One of the aspects that I enjoy in this series is seeing Roy Grace’s life outside the office although sadly Cleo was reduced to a bit part within this novel with no important scenes in the mortuary this time. We do have the development of Roy’s sons and there is definitely potential in that arena to keep the personal aspect of the book as interesting in the future as they’ve been in the past.

Peter James has to be commended for his ability to keep the books real without boring the reader stupid with adherence to policy and procedure. Again within this book I got the feeling that the author has really listened to the older and experienced detectives and gives a real flavour of what they find difficult in modern policing without ignoring the reasons why some of the changes were vital. As always this just stays the right side of real especially as our fictional detective is still having problems with his superior Cassian Pewe! Could Roy be becoming jaded with Brighton and Hove? Only time will tell.

So even though this probably was my least favourite of all the Roy Grace novels, I wouldn’t (and couldn’t) have missed it for the world. I love meeting up with the ‘old friends’ on the team, having a credible plot with a thoroughly nice detective at its centre and I therefore begin my countdown to the sixteenth book in the series!

I’d like to say thank you to Pan Macmillan for allowing me to read a copy of Dead at First Sight before publication on 16 May 2019.. This unbiased review is my thanks to them and the talented author Peter James for another entertaining foray into crime fiction in Brighton & Jersey!

First Published UK: 16 May 2019
Publisher: Pan Macmillan
No of Pages: 448
Genre: Crime Fiction – Crime Series
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Roy Grace Series in order
Dead Simple
Looking Good Dead
Not Dead Enough
Dead Man’s Footsteps
Dead Tomorrow
Dead Like You
Dead Man’s Grip
Not Dead Yet
Dead Man’s Time
Want You Dead
You Are Dead
Love You Dead
Need You Dead
Dead if You Don’t

 

The Mother-In-Law – Sally Hepworth

Psychological Thriller
4*s

There is possibly no relationship more prone to problems than that between daughter-in-law and mother-in-law so perhaps the fact that the unexpected death of Diana, the matriarch of a wealthy family, brings that relationship under examination.

The story is set in the author’s home territory of Australia, near Melbourne although she has lived around the world. Diana is a woman who expects a lot from her two children Oliver and Antoinette, not least that they don’t depend on their parents for money to fund their adult lives. This is unsurprising since Diana’s work is with women’s health, specifically that of migrants who have travelled across the world with nothing to secure their futures and are pregnant in their new home and in need of support. The lives of her two children who have been given every advantage perhaps don’t qualify for the same level of support.

On the whole I found this an intriguing read, more women’s fiction perhaps than genuine mystery although how Diana died is the central plot. We learn about Lucy, Oliver’s wife and the way her relationship with Diana was forged through the past sections of the novel, the present sections are relating to the investigation into Diana’s death and the reactions of those who were part of her life at the time. I felt that one of the book’s biggest strengths is that it illustrates how the early relationship between Lucy and Diana grew around the early misunderstandings and resentments between the pair. The holding onto stories that illustrate a character trait are huge in any family where harmony is hard to come by, and the story of the necklace lent to Lucy on her wedding day symbolises how it is very hard to switch onto the right foot once something has become a matter of a grudge in the form of a tale held up for examination at key points of stress.

As a reader my point of view on all the characters also matured as we read more about the past with the author being brave enough to challenge some conventional wisdom through using one or more of her characters as a mouthpiece. It is no secret that I’m fond of books that make me challenge my own views and it is easy to think that there is no place in commercial fiction for that kind of improvement; I disagree and so it would seem does Sally Hepworth. Overall though we are lucky enough to have an author who understands that her task is to entertain the readers, and that is done in spades. I said earlier that this struck me perhaps more as women’s fiction than a thriller but, the author does keep the suspense alive until the end. I definitely found this to be quite an addictive read as I needed to know whether my suspicions were correct and although perhaps some of the lesser characters could have been a little bit more rounded, the central ones will probably stay with me for quite some time.

Thank you to Hodder & Stoughton who allowed me to read a copy of The Mother-In-Law; this unbiased review is my thanks to them, and the author Sally Hepworth for a thoroughly entertaining read.

First Published UK: 23 April 2019
Publisher: Hodder & Stoughton
No of Pages: 368
Genre: Psychological Thriller
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No Way Out – Cara Hunter

Crime Fiction – Series
5*s

Having been blown away with the quality of the first two books featuring DI Adam Fawley I had high expectations of this, the third in this series set in Oxford. The expectations were completely met in this topical thriller.

The crime this time is arson, a particularly brutal means of killing and in this the victims appear to be a young boy Zachary Esmond who has been killed in his home in North Oxford. His elder brother Matty is desperately ill in hospital and their academic father and mother are nowhere to be found. Family annihilation is suspected but only time will tell if the facts fit the theory. First job is to find Michael Esmond and find out if he has deliberately sought to wipe his family off the earth and that is Adam Fawley’s job.

I particularly enjoy the style of Cara Hunter’s writing. All her crime fiction books have been pacey with the main story told in the first person present tense while the reader is treated to news extracts and on-line comments at regular intervals throughout. In this book we are provided with the storyline on what led to the fire, a story covering the best part of a year. The investigation is rapid and a master in police procedural while the on-line excerpts keep the storyline feeling exceptionally current given how most of us digest the news these days and I enjoy having a flavour of the crime being investigated alongside some more generic local news from the Oxford area.

The plotting was, as always, superb. The author manages to provide the reader with a whole host of red herrings without giving this reader the feeling that it is simply a complex puzzle to be solved. I need to feel the potential suspects are there because that’s how the investigation has unfolded rather than they are being conjured up just for the story’s sake.

One of the things I enjoy about this police procedural series is that the team get along with each other. There is little in the way of politics and they provide the reader with a solid team that although aren’t devoid of personality, this isn’t the defining part of the story. I will admit I often like the forays into personal lives of our detectives but I have to admire those writers who manage to keep the investigation itself in the frame through any personal ups and downs the team may encounter. Cara Hunter’s writing falls into the latter camp.

Of course in crime fiction it isn’t just the detectives that need to keep you entertained, we also need to feel something for the victims, the potential perpetrators and all the witnesses that we meet along the way. Cara Hunter has a real knack for bringing the whole cast together with a lightness of touch that certainly kept me turning the pages as the book worked its way towards an accomplished finale.

I’d like to say a huge thank you to the publishers Penguin Books UK who allowed me to read a copy of No Way Out which was an enormous honour. I’ve already put the fourth in the series (due out in December 2019) onto my wishlist.

Previous Books in the DI Fawley Series
Close to Home
In the Dark

First Published UK: 22 March 2019
Publisher: Penguin Books Uk
No of Pages: 367
Genre: Crime Fiction – Series
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The Guilty Party – Mel McGrath

Psychological Thriller
3*s

I am a complete sucker for a book featuring a good moral dilemma and The Guilty Party fits the bill completely! The question is, how guilty are you if you witness a crime but do nothing? One of the things that appeals about these types of books is that it makes me think – not only what would I do but also whether or not the actions of the characters reflect society.

A group of four university friends go to a music festival, in the spirit of keeping their friendship alive into their thirties. They are totally wrapped up in their own lives. When they leave the music behind they witness a man following a woman down a dark alley way – they try to look the other way but it appears a violent sexual assault takes place. The four do nothing. Having met them none of them seem particularly nice people but I did find it shocking that out of the four only Cassie seemed to feel any overt guilt when a body is found, drowned. The suspicion being this was the victim of the crime they witnessed. It is interesting that the characters are youngish but not ‘young’ and so this links with my wondering if this does in fact reflect the actions of a generation, or has the author created a pessimistic viewpoint.

The book is set fairly soon after the main event and each of the four characters reveal more about themselves, and their friendship. I found that these revelations about the characters to be if anything more disturbing than their lack of compassion for a fellow human. I was left feeling that the ties that bind the four together should have been severed years before, or better still not allowed to flourish in the first place.

The plotting was great as was the characterisation although with so many unpleasant characters, particularly of a ‘type’ meant that I was perhaps less engaged than I would normally be whilst reading. The dilemma at the book’s heart had me thinking though and although this certainly isn’t the first book that has explored this subject matter I felt the back story to the group of friends added an extra dimension.

So while this was a frankly uncomfortable read at times, I absolutely needed to find out more and that after all is the mark of a good writer.

I’d was incredibly fortunate in that HQ for allowed me to read a copy of The Guilty Party and this unbiased review is my thanks to them, and the author, for an intriguing and thought-provoking read.

First Published UK: 7 March 2019
Publisher: HQ
No of Pages: 384
Genre: Psychological Thriller
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The Neighbour – Fiona Cummins

Crime Fiction
4*s

The Neighbour is one creepy novel that even though it confused, and I’ll be honest frustrated me at first, kept me gripped so that I had to keep on reading until I was able to put all the pieces of the puzzle in their place.

The Lockwood family move into their new house 25 The Avenue in Essex in the woodland behind the house a body has been discovered, the fifth in recent times. Not the best omen for a new house I think we can all agree? Garrick and Olivia and their two children have moved into the house due to some difficulties of their own so they have no option but to stick it out through the media interest and local speculation. Garrick’s conviction that the murderer will soon be found soon seems to feel a bit optimistic to say the least.

The bodies themselves have been found with painted faces and the media have named the killer the dollmaker, something that the police are keen to discourage, especially as there is a toymaker living in the area. With everyone under suspicion and the killer close at hand the links between the victims has to be made in order to work out who it is.

I have to hand it to Fiona Cummins because she won me over. The initial total confusion I felt at the different time lines and multiple voices soon evened out into a more cohesive plot, but I did need to stick with it.

Fortunately for the reader, the police presence is led by DCI Clive Mackie, and the team includes the likeable detective, Wildeve Stanton. She is the one who I bonded with as she worked tirelessly hunting the murderer even though she is grieving after a very recent loss. For once the detective’s personal problems isn’t code for any flaky activity, Wildeve is a sensible woman not given to flights of fancy or bending the rules out of shape. With the DCI facing being pulled from the investigation the tension in the police joins that of the inhabitants of the Avenue.

The setting is very atmospheric, the story did give me the creeps which is fairly unusual for me – it takes a lot to scare me but the thought of Olivia living in amongst all of this suspicion not only about the murderer but within her own house too. With different secrets hiding behind all the doors within the Avenue it seems like everyone has something to hide, something to lose and lies to tell. This just served to make the book feel all the more claustrophobic.

I have to admire Fiona Cummins skill in both plotting such a complex thriller. That combined with the skilful writing made the reading of the book a fairly edgy experience.

I’d like to say a huge thank you to the publishers Pan Macmillan for allowing me to read an ARC of The Neighbour which was published on 4 April 2019.

First Published UK: 4 April 2019
Publisher: Pan Macmillan
No of Pages: 416
Genre: Crime Fiction
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Cruel Acts – Jane Casey

Crime Fiction – Series
5*s

Maeve Kerrigan is my kind of protagonist and so I was absolutely thrilled to see that she was back and I’m pleased to say my high levels of anticipation were fully met.

When double murderer Leo Stone is freed because of irregularities with the jury process. Superintendent Godley tasks Maeve Kerrigan and Detective Inspector Josh Derwent to re-examine the evidence, and quickly, to ensure that the case against him is absolutely watertight – the thought of such a dangerous man being allowed to roam free is completely repellent to the hardworking officers. Maeve is quick to alight on another potential victim of Leo Stone but before she has time to devote too much attention in that direction there is another killing similar to those Leo Stone was convicted of. Could it be that the team are investigating a miscarriage of justice after all?

I love this series so much because in part, the characterisation is superb. Maeve is a strong, tenacious and capable officer who knows her own mind and that alone is very appealing. The fact that she is a bit standoffish with her colleagues only serves to endear her to me even more as she is often quietly funny in her dealings with them. But her role is backed up by a whole host of old friends from the previous books. I’m particularly enjoying watching Maeve’s slightly tense relationship with the younger officer Georgia while slipping into a slightly easier relationship with Josh in this episode. Although we have some of the back story of Maeve’s life outside the police this perhaps doesn’t have as much room in this episode as it has done so previously, but fear not there is enough to keep things interesting…

It doesn’t matter how good the characters are in crime fiction if there isn’t a jolly good mystery to be solved and once again Jane Casey far from disappoints. This is a fairly complex investigation given that we know who the key suspect is, the time-line, the forensics and pretty much everything in between, or do we? This is the beauty of the plotting one bit of information can turn everything on its head and unfortunately there are multiple strands to be teased out and worked individually before the team can be certain what happened to the poor women that crossed the path of a murderer.

With engaging writing to finish the triad for the pinnacle of success in crime fiction, Jane Casey reminded me she really is one of the best of the new generation. While the storyline featuring serial killers are nothing new, she manages to keep it feeling fresh with her sharp observational writing that all too easily conjures up the desperate need to catch a killer that must infiltrate such a major investigation in real life.

A most satisfactory read finishing with a solid resolution – I do hope Maeve is back soon.

I’d like to say a huge thank you to the publishers HarperCollins UK who allowed me to read an advance copy of Cruel Acts ahead of publication on 18 April 2019.

The Maeve Kerrigan Series in Order

The Burning
The Reckoning
The Last Girl
The Stranger You Know
The Kill
After The Fire
Let the Dead Speak

First Published UK: 18 April 2019
Publisher: HarperCollins UK
No of Pages: 400
Genre: Crime Fiction – Series
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