The Neighbour is one creepy novel that even though it confused, and I’ll be honest frustrated me at first, kept me gripped so that I had to keep on reading until I was able to put all the pieces of the puzzle in their place.
The Lockwood family move into their new house 25 The Avenue in Essex in the woodland behind the house a body has been discovered, the fifth in recent times. Not the best omen for a new house I think we can all agree? Garrick and Olivia and their two children have moved into the house due to some difficulties of their own so they have no option but to stick it out through the media interest and local speculation. Garrick’s conviction that the murderer will soon be found soon seems to feel a bit optimistic to say the least.
The bodies themselves have been found with painted faces and the media have named the killer the dollmaker, something that the police are keen to discourage, especially as there is a toymaker living in the area. With everyone under suspicion and the killer close at hand the links between the victims has to be made in order to work out who it is.
I have to hand it to Fiona Cummins because she won me over. The initial total confusion I felt at the different time lines and multiple voices soon evened out into a more cohesive plot, but I did need to stick with it.
Fortunately for the reader, the police presence is led by DCI Clive Mackie, and the team includes the likeable detective, Wildeve Stanton. She is the one who I bonded with as she worked tirelessly hunting the murderer even though she is grieving after a very recent loss. For once the detective’s personal problems isn’t code for any flaky activity, Wildeve is a sensible woman not given to flights of fancy or bending the rules out of shape. With the DCI facing being pulled from the investigation the tension in the police joins that of the inhabitants of the Avenue.
The setting is very atmospheric, the story did give me the creeps which is fairly unusual for me – it takes a lot to scare me but the thought of Olivia living in amongst all of this suspicion not only about the murderer but within her own house too. With different secrets hiding behind all the doors within the Avenue it seems like everyone has something to hide, something to lose and lies to tell. This just served to make the book feel all the more claustrophobic.
I have to admire Fiona Cummins skill in both plotting such a complex thriller. That combined with the skilful writing made the reading of the book a fairly edgy experience.
I’d like to say a huge thank you to the publishers Pan Macmillan for allowing me to read an ARC of The Neighbour which was published on 4 April 2019.
First Published UK: 4 April 2019
Publisher: Pan Macmillan
No of Pages: 416
Genre: Crime Fiction Amazon UK Amazon US
Maeve Kerrigan is my kind of protagonist and so I was absolutely thrilled to see that she was back and I’m pleased to say my high levels of anticipation were fully met.
When double murderer Leo Stone is freed because of irregularities with the jury process. Superintendent Godley tasks Maeve Kerrigan and Detective Inspector Josh Derwent to re-examine the evidence, and quickly, to ensure that the case against him is absolutely watertight – the thought of such a dangerous man being allowed to roam free is completely repellent to the hardworking officers. Maeve is quick to alight on another potential victim of Leo Stone but before she has time to devote too much attention in that direction there is another killing similar to those Leo Stone was convicted of. Could it be that the team are investigating a miscarriage of justice after all?
I love this series so much because in part, the characterisation is superb. Maeve is a strong, tenacious and capable officer who knows her own mind and that alone is very appealing. The fact that she is a bit standoffish with her colleagues only serves to endear her to me even more as she is often quietly funny in her dealings with them. But her role is backed up by a whole host of old friends from the previous books. I’m particularly enjoying watching Maeve’s slightly tense relationship with the younger officer Georgia while slipping into a slightly easier relationship with Josh in this episode. Although we have some of the back story of Maeve’s life outside the police this perhaps doesn’t have as much room in this episode as it has done so previously, but fear not there is enough to keep things interesting…
It doesn’t matter how good the characters are in crime fiction if there isn’t a jolly good mystery to be solved and once again Jane Casey far from disappoints. This is a fairly complex investigation given that we know who the key suspect is, the time-line, the forensics and pretty much everything in between, or do we? This is the beauty of the plotting one bit of information can turn everything on its head and unfortunately there are multiple strands to be teased out and worked individually before the team can be certain what happened to the poor women that crossed the path of a murderer.
With engaging writing to finish the triad for the pinnacle of success in crime fiction, Jane Casey reminded me she really is one of the best of the new generation. While the storyline featuring serial killers are nothing new, she manages to keep it feeling fresh with her sharp observational writing that all too easily conjures up the desperate need to catch a killer that must infiltrate such a major investigation in real life.
A most satisfactory read finishing with a solid resolution – I do hope Maeve is back soon.
I’d like to say a huge thank you to the publishers HarperCollins UK who allowed me to read an advance copy of Cruel Acts ahead of publication on 18 April 2019.
Often us booklovers are drawn to compare notes on the kinds of characters we like with broadly speaking divisions, those characters we like, we’d be happy to have them as friends, and those that you actively dislike. I’ve, in my more contemplative moments wondered why I am so happy to read about unlikeable characters, and I’ve decided that the authors who create these to populate their books tend to have other dynamics going on that make the likeableness of the character a bonus rather than a hinderance.
In Before She Knew Him there are unlikeable characters and to make things even harder the author has created a world, like he has in his previous novels, that is unlikely to exist but just likely enough to make the fiction only too believable.
Hen (short for Henrietta) Mazur and her husband Lloyd have recently moved house to a small suburb in Boston. They love their new house, they’ve left behind what appears to have been a few bad memories and Hen is now following her artistic path as an illustrator in the new neighbourhood. Their neighbours Mira and Matthew invite them for a dinner party. Hen, who has suffered with her mental health isn’t keen but Lloyd wants them to get out and mix. So they go and in one of those weird coincidences that occur in real life as well as novels, Hen makes a connection between Matthew and a victim of a murder who lived close to them in their previous home. What are the chances?
The book then takes on what could be a farcical turn, but doesn’t quite. Hen convinced that Matthew is in fact hiding some huge dark secret does what anyone would do in such a situation. Yes, she chooses to stalk her neighbour, whilst of course keeping this a secret from her husband, who is likely to worry far too much that she needs to go back to the doctor and have her medication altered.
In between this we see things from Matthew’s point of view. The only thing he is hiding from his wife is the visits his brother Richard makes to the house when Mira is out of town working. Mira has to travel a great deal for her work and Richard visits in her absence because she actively dislikes him – not surprisingly as we read excerpts from his thoughts, I’m sure most readers would decide to put him on the ‘not a friend pile!’
So all in all, exactly what you’d expect from a book by Peter Swanson. A bunch of weird characters, some less likeable than others followed by a somewhat bizarre scenario which is all rescued by some brash actions putting various people in danger of being discovered, followed and perhaps, given this is crime fiction, killed! And it was brilliantly pulled off. I didn’t want to put the book down, so engaged was I with what in the hands of a lesser writer would easily have been thrown against the ‘don’t be ridiculous’ wall.
I’d like to thank the publishers Faber and Faber who allowed me to read the experience that Before She Knew Him which will be published on 5 March 2019.
First Published UK: 5 March 2019
Publisher: Faber & Faber
No of Pages: 320
Genre: Crime Fiction Amazon UK Amazon US
I was a huge fan of Renée Knight’s debut novel Disclaimer and so I had that inevitable mixture of excitement and conscious lowering of expectations as I approached this, the author’s second book. I didn’t need to have a moment of worry, I loved it.
This is a claustrophobic book which is mainly set within the mind of the titular secretary, Christina Butcher. Christina was employed by Mina Appleton as a secretary, almost on a whim, back in the day before personal assistants became de rigour, but essentially that is exactly what Christina was. She wasn’t just employed to help Mina with the family business, a supermarket, she was there to interview the nannies for her children, by the gifts for everyone and anyone, and be on call day and night to do Mina’s bidding.
You might imagine that Christina is a single woman free to devote her time and energy to her role for eighteen years but not so, as Christina tells us her story, we find that she was happily married with a young daughter.
This is exactly the type of psychological thriller I most enjoy, it isn’t a fast moving sweeping and swooping novel, instead it is a study of a relationship albeit one between two women in a business environment, just think given the nature of the work, how many dynamite pieces of information both personal and work-related that Christina has picked up over the years. We also get to see just what Christina has given, and sacrificed, in order to appease her whip-cracking boss.
Neither woman is particularly likeable, if you need to like at least one of the lead characters you probably won’t enjoy this book quite as much as I did. However, both came across as real, in fact, one of the aspects I particularly appreciated was how realistic this book felt. As I mentioned Mina is in the supermarket business and this strand of the storyline isn’t glossed over, we hear and witness some meetings with farmers, and we can easily compare the ethics with those we have read about with the national supermarkets. All interesting and giving every appearance as being researched and not just plonked into the book as a pet cause.
As the book develops there are several minor storylines featuring more sympathetic characters and these build towards what is an absolutely explosive ending. So although the book is what could be called a slow burn, for me it didn’t feel long enough – I was left knowing that we’d exhausted every avenue so I wasn’t left longing for me from that perspective, but having been so caught up within the storyline I was sad to say goodbye.
I’m sure the ending will divide readers, and for this reason alone I would definitely recommend The Secretary as a book club read, but I wasn’t disappointed by it as I enjoyed the sentiment and felt it was entirely in keeping with all that came before.
I’d like to say a huge thank you to Random House UK for allowing me to read a copy of The Secretary before it is published today, 21 February 2019. This unbiased review is my thanks to them and to Renée Knight for a completely addictive read.
First Published UK: 21 February 2019
Publisher: Random House UK
No of Pages: 304
Genre: Psychological Thriller Amazon UK Amazon US
Wow! Just for a change I’m going to start this review by saying how much I love this crime fiction series and its chief protagonist DI Kim Stone. I gave the very first book in the series, Silent Scream, the full five stars when I read it in 2015 – sadly despite the subsequent books being even better – five stars is the maximum. Angela Marsons has truly surpassed herself with Dead Memories, the tenth book in the series.
The scene opens on the notorious Hollytree housing estate, specifically the fourth floor of Chaucer House which just happens to be a few floors below where Kim Stone was found next to her dead twin, handcuffed to a radiator. Can it be a coincidence that today two youngsters have been found handcuffed to a radiator? Let’s face it, it’s going to be a no!
This series is firmly wedded to its setting in the Black Country and many of the books take in the Hollytree housing estate with Chaucer House being designated the block which is the roughest of them all, at some point. But this book gets to the heart of Kim Stone’s life. With Bryant, Stacey and Penn, at her side she is going to have to confront some of the many traumas that she has met in life being recreated for someone’s sick game. But that won’t be easy because spiky Kim doesn’t want to share those details with anyone, let alone her colleagues! Because of the basis in the crimes being committed it was a more traumatic read than most and one that made me realise quite how fond of the detective I have become. Yes, I know its fiction, but when I was reading, it was as real as anything else!
I’ve mentioned in my many reviews of crime fiction series of how much I like meeting up with old friends, in this case the small team that Kim Stone is part of. Angela Marsons has managed her reader’s expectations and interest levels very well on this score with different team members playing larger roles in some of the books and in this episode we have a return of the Alison Lowe a profiler who has been brought on board to keep an eye on Kim herself. This gives a satisfying and fresh injection into the characters and their interactions.
As always the plotting is faultless and although I’d gauge the crimes committed at the top end of my personal gore rating, the black humour that runs through the books means that what could be an unrelenting book of horror doesn’t have that overall feel at all. This really is the mark of a writer who knows her craft and injects a small dollop of humour at the right moment, never inappropriately, to keep the reader engaged but not depressed.
With an enterprising killer at work we also get a full insight into those traumatic incidents in Kim’s life, from the first moment of being left to die next to her twin Mickey to the more recent tragic fatality of a close colleague. So with each murder we get a double whammy of concern for the victims and their families in the present and a second-hand one for Kim, which only served to make me enjoy her company even more.
If you haven’t read this series, start now – they are fantastic but to my mind, you need to read them in order. This the tenth is absolute the cherry on the crime fiction cake!
I’d like to say a huge thank you to Bookouture for allowing me to read a copy of Dead Memories before it is published on 22 February 2019. This unbiased review is my thanks to them and Angela Marsons for another brilliant episode in the Kim Stone series.
First Published UK: 22 February 2019
No of Pages: 459
Genre: Crime Fiction – Series Amazon UK Amazon US
I’m going to start by saying I’m a huge fan of Rachel Abbott’s writing and of Tom Douglas in particular. This series of books set in Manchester is now up to number eight. Now there will be some book-lovers who will say, ‘the series is already too far through, I can’t start now!’ I disagree (although don’t tell the author) as although I have read these books, eagerly, in order, the stories are all unique and so although we have DCI Tom Douglas to lead the way through the mysteries, he doesn’t have a huge back story to keep track of and therefore I am certain that these books would all work really well as standalone reads. Of course once you’ve read one you may well need to catch up on the rest but that’s a book lover’s problem for another day, right?
As with all crime fiction you probably don’t want me to spend too much time rehashing the synopsis so instead I am going to talk about why I enjoy this series so much with a few hints along the way to let you know what The Shape of Lies has in store for you.
I like books where even though my life is (thankfully) far more boring than the chief protagonist, Anna Franklyn, I could put myself in her shoes with no problem at all. We’ve all listened to variations of the cheesy radio shows where people ring in with tales of lost loves… in this version called ‘The One That Got Away’ well how would you feel if one day it seemed to be your story? What’s worse the man Scott is threatening to tell all, and the thing is he’s dead! I tell you I read this part and could feel the hairs on the back of my neck raise, and at that point I had no idea quite what Anna had to fear.
Books that have a moral dilemma, something to make me think about what I would do in the same situation, or more prosaically at what point in a relationship do you come clean about some of those big things in the past, always get me thinking, and I like thinking whilst I read.
There is a lot made these days of crime fiction being full of twists and turns and while I’m not sure I set as much store on this aspect as the marketing bods seem to think I should, I can’t deny there is a certain amount of pleasure in being surprised. Rachel Abbott always surprises me. The entire premise of this book takes a look at an aspect of crime that hasn’t been covered in any of the previous books by this author, and it isn’t one of those that comes up frequently in crime fiction either.
In amongst the lies, deceit and quite frankly odd coincidences that are unsurprisingly preoccupying Anna as she tries so desperately hard to keep a lid on things at home in front of her stay at home husband and two small children, DCI Tom Douglas and DI Becky Robinson have two murders to solve… oh yes, this is crime fiction at its most complex.
But one of the key things after the basics of plot and pacing is the characterisation. Now I don’t need to like the character, after all they are created to be judged, aren’t they? I wasn’t a huge fan of Anna’s but I think she was pitched perfectly. Professionally she is extremely capable, a headteacher of an Academy, respected by staff and children alike but she has another side, one that doesn’t seem to have moved on all that far from the days when she was in a relationship with Scott and she lives caught between the stories she’s told so often that she almost believes them herself. As my mother would have quoted ‘What a tangled web we weave when first we practice to deceive’
In short this is a book that had me gripped! It is a great author that leads you to the edge of the story and then immerses you in a world you never really knew existed. My poor emotions see-sawed as the revelations made me re-evaluate what I knew to that point. This is not a book to start if you don’t have time to finish it!
I’d like to say a huge thank you to Rachel and Maura for providing me with an advance review copy of The Shape of Lies and allowing me to marvel at Tom Douglas once more. This unbiased review is my thank you to them.
First Published UK: 12 February 2019
Publisher: Black Dot Publishing Ltd
No of Pages: 339
Genre: Crime Fiction – Series Amazon UK Amazon US
Author of one of 2018’s Times crime books of the year, Rachel Abbott, the UK’s no.1 bestselling independent author, proves once again why she is ‘the queen of psychological thrillers’ with an intense and compelling examination of the toxic impact of lies, deception and guilt.
Rachel Abbott, born and raised in Manchester, founded her own interactive media company in the 1980s, before selling it and retiring in 2005. She then moved to Italy where she worked on the renovation of a 15th century Italian monastery, and it was here that, one day, she found herself snowed in and decided to begin writing for pleasure. This became her debut novel, Only The Innocent, which she went on to publish via Kindle Direct Publishing, topping their chart for 4 weeks.
A true self-publishing pioneer, The Shape of Lies is Abbott’s ninth novel. She splits her time between Alderney in the Channel Islands and Italy.
Rachel Abbott is available for interview and to write articles.
I don’t read much in the way of more recent true crime but the one exception is those horrific murders carried out by Fred and Rose West. These murders were committed in Gloucester, the largest city to where I spent the latter part of my childhood and where I moved to when I first left home. I already lived in Jersey and was heavily pregnant when in 1994 the garden at 25 Cromwell Street was dug up to reveal the bones of young women.
In the intervening years there have been many books written and I thought I had read them all. Somehow I missed this one, from the perspective of Detective Superintendent John Bennett QPM, the officer in charge of the investigation.
This is an interesting read which takes us behind the scenes and gives some context to what the police knew, in contrast to what the media were able to reveal, and what information they were seeking. John Bennett also works hard to bring the victims and their families to the fore of the investigation, to give them the respect they were so cruelly deprived off when they met their fate at Fred and Rose West’s hands.
Although of course the book doesn’t avoid the murders it certainly doesn’t dwell unnecessarily on them. Instead we have a reconstruction of the house which once stripped of the lurid tabloid details is revealed to be far smaller than might be expected pretty much laying to rest any idea that horrific murders could occur without other adult residents being aware of the fact.
The book is well structured starting with the lead detective giving his recollection of how and why steps were taken to question Fred West further over his missing daughter Heather. The days that followed which included the key revelations made by Fred are all laid out in chronological detail.
Although the book hinges on the crimes of two utterly depraved individuals what it does best is show the reader how a murder investigation really is run. Some parts are devoted to gathering evidence the exact nature of the bagging for forensic purposes, the managing of the media, the questioning of witnesses and of course the horrendous job of talking to potential victim’s families. When you consider that this relatively small police force was handling one of the biggest murder investigations of the British Isles it gives you some idea of the sheer complexity of the task in hand.
John Bennett attempts to be candid about those officers he feels didn’t perform as he would have expected and you get the feeling that there was more on that score that could have been said. This along with tales of family occasions missed and touching tributes to his patient wife while providing some semblance of context became to my mind a little overblown by the time we’d heard various examples. I can’t be the only reader who was shocked at his wife’s reaction during Rose’s trial, particularly as we’d been told that he never discussed any details at home.
This book was definitely informative and in the main incredibly readable and provided me with another viewpoint of this huge murder investigation.
First Published UK: 2005
Publisher: The History Press
No of Pages: 528
Genre: Non-Fiction Amazon UK Amazon US
Well we are up to a fabulous number eleven in the Ruth Galloway series and to my mind the split between investigation and catching up with some, by now, much-loved characters makes for the perfect read.
First to the mystery at the heart of The Stone Circle and I’m glad to say the brief foray to foreign lands of the last novel is over and we are back in Norfolk once again. Not that I have anything against other places but Ruth and Harry Nelson really do belong at home. That means that Dr Ruth Galloway is at the university and ready and waiting to oversee an archaeological dig at a henge, or stone circle. Within the henge, bones are found and more modern than the bronze age structure would account for. And then Suddenly it is as if the clock has turned right back to the first case that Ruth assisted DCI Nelson with, The Crossing Places.
To the personal side of the story, well it is all go with a great deal of suspense about how life will change once Nelson’s wife Michelle gives birth… And so as good as the plot of the mystery is, it is here that the flesh and blood are put upon our characters. This is where life is lived, not mourned but sometimes it isn’t easy and there are no answers, well definitely none that are underlined with certainty. Into this mix is Ruth herself, she’s contemplating her future, her career and debating whether staying put is really the best decision for her and Kate, and of course dear old Flint. I am biased I want her to stay put, if she moves away from the University of Norfolk I’m doubting whether we will see as much of Cathbad, whose flowing cloaks are being abandoned to spare his son’s blushes, or Shona who only makes a brief appearance in this novel, or the entire Norfolk police force who are like friends to me now. But she has her career to consider…
At the end of the book Elly Griffiths states that the idea was that there would be ten books in the Ruth Galloway series so perhaps it is fitting that there are many echoes in this book of the very first one – in fact so much so I was tempted to go back and re-read The Crossing Place. But I rarely go back and somehow I think I would be tempted to read my way back through and I simply don’t have enough spare time to re-read all ten books – well not until I am put on that desert island with my kindle! Anyway without the plot which mirrors that early case with a young girl’s body being found and a cold case being reviewed with all the resultant wounds that opens, and hopefully heals, we also have DCI Nelson receiving some disturbing letters. Now I don’t know about you but if I was choosing to send someone anonymous letters, I doubt that I’d choose a policeman, but hey there’s none so queer as folk!
This series as a whole, and this book in particular, also addresses the somewhat shocking aspects of what has come before. Elly Griffiths keeps a grip of her characters so it isn’t only the big events that she ensures continue as a thread but some of the more minor events also . I’m a bit of a nerd in this respect so give a little smile when I spot an event being played forward in a later book.
So as always for this series it is a resounding recommendation from me and a huge amount of gratitude to the publishers Quercus who allowed me to read an advance copy of The Stone Circle before the publication day of, today!
I don’t typically go for the ‘misery memoir’ genre of reading because quite frankly I find much of the books that proliferated at the peak of its popularity grim, unrelenting and almost voyeuristic. However when the contents move away from a catalogue of actions to something more thoughtful, an exploration of a person, well I find that fascinating.
Olivia Rayne always knew as she was growing up that other mothers didn’t behave like hers but it was probably more of a slow realisation to making the leap to giving her the diagnosis of a psychopath. This term is thrown about with a fair degree of abandon these days, thanks in part to the popularity of Jon Ronson’s The Psychopath Test which educated the population that not all psychopaths are serial killers, in fact the vast majority move among us.
Mothering though is generally accepted to require all the good skills, protecting, nurturing, and caring which don’t square with what comes naturally to the psychopath. This of course means any child born to such a parent, and you could argue particularly if it is the mother who is wired in this way, is going to suffer to some degree. Coupled as these people often are to weak and ineffectual partners and the result is disaster.
Rayne heads up each chapter to her memoir with a description of one of the 20 accepted psychopathic traits and then follows it with an example of her life with her mother. Some of these events took place when Olivia was a small child, some more recently but many show that the face presented to the world was far from that which she used to scare and humiliate her daughter away from the public gaze. Of course this methodology also allows the reader to make a judgement on the truth of what we are being told in a way that a list of awful events is less likely to have the same impact on the reader.
The book is also testament to that movement that I am desperately hoping will gather pace. Olivia isn’t using what happened to her in childhood as a reason for behaving like a victim. She’s hidden her identity in part so that she can continue working amongst her peers without the prurient details defining her for ever more. Most fascinating of all was the discovery that Olivia had broken ranks on the silence of her childhood a couple of years ago when she submitted an article about her mother to an online paper. The reaction was in line with that which had occurred when she initially broke off contact, a ceaseless barrage of emails in turns abusive and appealing, not just to Olivia herself but to her boss, colleagues and friends.
With a definite feeling that this book is both putting the past behind her and reaching out to others who are in this little studied relationship and giving a feeling of hope for a different type of life. For that you can only applaud this brave author.
I’d like to say a big thank you to Ebury Press who allowed me to read a copy of My Mother the Psychopath. This unbiased review is my thanks to them.
First Published UK: 24 January 2019
Publisher: Ebury Press
No of Pages: 336
Genre: Non-Fiction Amazon UK Amazon US
I read Me Before You way back in 2013 and loved it. You are right, this isn’t crime fiction and nor is it particularly gritty but even though Jojo Moyes was telling the story about a young woman who falls in love with her boss, a quadriplegic, I found it an irresistible read.
In 2015 Jojo Moyes bought out a sequel, called After You and I considered whether to read it and decided it would ruin the original for me (something that I always dread with sequels) and so I ignored it. And then… in 2018 a further episode to Louisa Clarke’s life was published called Still Me. At this point, a colleague read the entire trilogy after hearing about Me Before You and asked my advice on if it was worth a read. I said yes and then she raved about the other two books, and I cracked and decided to listen to After You as an audio book. My previous rambles on audio books will confirm that light-hearted contemporary fiction is my preferred listening fare.
So how was it? In short I loved it. The narrator Anna Acton is perfect for telling the next episode in Louisa’s story as she learns to live with the emotional fall-out from Me Before You. The narrator manages to get the humour to come across in her voice without it ever feeling forced and the sadder parts are also almost underplayed allowing the author’s words to work the magic and complementing them rather than overegging the pudding so to speak.
Louisa isn’t the same young woman she was. She’s more thoughtful and suffering but she also has something special to offer. What I love is although she’s undoubtable a ‘good person’ she isn’t so good it’s sickly. Jojo Moyes created a ‘real’ woman character and then has developed her, realistically to deal with the next chapter in her life.
What makes Jojo Moyes such a wonderful author – I am now a confirmed fan – is that she manages to take her readers (or listeners) through the entire gamut of emotions and I travelled unashamedly through Louisa’s despair, her hope for others and then bit by bit herself, her sympathy, her embarrassment and her joy. They are all held up for examination and our inspection. I may be considerably older than Louisa but in many ways the story she tells is a timeless and relevant to us all. Yes, there is romance and love and all those nice things which are all made entirely palatable with a rich seam of humour to take the edge off the sweetness. I have walked and listened to Louisa laughed at her observations, winced at the embarrassment of wearing an awful Irish costume as part of her job in the airport bar, loved it when she got one over on the pompous boss and wept alongside her when life unfairly conspires against her.
I loved meeting Louisa again as well as catching up with the Traynor’s and some new characters too, all as rich and as powerful as the original book, perhaps more so because on the surface the ingredients appear to be less obvious. In fact I loved it so much that I hadn’t finished this one before I bagged the audible version of the next book in the series, I wasn’t going to miss out any longer.
First Published UK: 24 September 2015
Publisher: Penguin Books
No of Pages: 411
Listening Length: 11 hours 8 minutes
Genre: Contemporary Fiction Amazon UK Amazon US