Eighteen year old Chloe Emery left her father’s house and made her way home to her mother and in these earliest scenes I was left in no doubt at all that something awful is about to happen as her neighbour, Oliver Norris, offers her a lift and drops her home. She dashes inside the house out of the rain and then slowly, very slowly, she realises that all is not as it should be. The house smells funny and there is mud everywhere, only it is not mud, it’s blood.
Maeve Kerrigan has been promoted and she is now a DS, eager to prove herself in the new role and determined that Josh Derwent is going to realise she doesn’t need him treating her like a junior anymore. The pair are called to the Emery house where despite the lack of a body, a murder investigation is launched; Chloe’s mother Kate is nowhere to be found and all her belongings are still at home. This could prove to be a PR disaster for the police if Kate is not dead, but an equal one if they don’t treat it seriously enough.
Right from the off I had masses of questions, was Chloe really as slow as she seemed, and if so why was her bright younger neighbour, Bethany Norris so keen to spend so much time with her? With Chloe reluctant to tell the officers exactly where she’s been since she left her father’s house, or even why she left without saying goodbye, the police are sure they are missing some vital information. But, at least Chloe is safe staying with the Norris’s while the house is a crime scene.
We have a new younger woman on the team too, Georgina who it’s safe to say isn’t a hit with Maeve and so her efforts to impress fall somewhat flat but it takes her a while to cotton on. This is just one example of how Jane Casey gets the tone exactly right. Maeve may well not take to Georgina, but she tries. She doesn’t go for the all-out put downs but tries to temper them with some helpful advice, that way when Georgina screws up, we all know who to blame.
This is, like all the other books in the series, action packed with life-threatening moments coming not just where you expect them, at the end of the book. The pacing is immaculate, once I started this one, I really was terribly reluctant to put it down. There is intrigue as well as all the deadly sins, none as deadly as those inflicted on those who should be closest to us, our family. The casual lies, betrayals and greed are sewn deep into the very fabric of this book, and few of the minor characters come away with anything like an intact reputation which gives plenty of suspects to be suspected!
Now if you want taut plotting and a cast of characters to delight, then you don’t need to look any further, Jane Casey delivers on both. Even better there is an undercurrent of humour which serves to deflect from any of the horrific pictures your imagination may serve up, and believe me, there are plenty of such opportunities.
I was extremely lucky to be given a proof copy of Let The Dead Speak by the publishers ahead of publication date of 9 March 2017!
The Maeve Kerrigan Series in Order